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Congress Programme

Strand 1. Breaking the Art Nouveau Glass Ceiling: The Women of Art Nouveau

Strand 2. The Eye of an Era: Art Nouveau Interpretations of the Feminine

Strand 3. The New Frontiers: Unveiling Art Nouveau Cities

Strand 4.Research and Doctoral Theses in Progress

General view of Alesund's Jugendstil district (© Jugendstilsenteret)

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General view of Alesund’s Jugendstil district (© Jugendstilsenteret)

II coupDefouet International Congress

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Strand 1. Breaking the Art Nouveau Glass Ceiling: The Women of Art Nouveau

Historiography has condemned women artists of the Art Nouveau style to a double oblivion: once for being artists of Art Nouveau, a style that was not valued for decades, and once again for being women. And, if it is true that society in the Art Nouveau period was strongly gender-biased, not offering an equal environment in which women could succeed in the traditionally “male” sphere of the fine arts, it is no less true that our society today does not share such views and that research and communication in twenty-first-century History of Art has a certain duty to compensate this.

Keynote speech by Judith Rohrer

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Opening conference by Mireia Freixa

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List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

An Unexpected Wonder: the Art Nouveau Winter Garden of the Ursuline Institute in Onze-Lieve-Vrouw-Waver (Belgium)

Mario Baeck

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Claudio Castelucho and the Académie de la Grande Chaumière in the Education of American Women Artists in Paris: the Case of Alice Pike Barney, the dilettante/professional

Ester Barón Borràs

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Re-evaluating ‘The Glasgow Girls’: A timeline of Early Emancipation at the Glasgow School of Art

Alison Brown

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Art Nouveau Designs and Weaving Work of Wanda Bibrowicz-Wislicenus

Magdalena Długosz

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Mary Seaton Watts and the Watts Mortuary Chapel

David A. Hill

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Aurora Gutiérrez Larraya and the Renovation of Decorative Arts in Madrid

Joan-Miquel Llodrà Nogueras

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Women Artists Breaking into Sexual Politics. Four Female Art Exhibitions at Sala Parés in Barcelona (1896 -1900)

Laura La Lueta Romero / Laura Mercader Amigó

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Art Nouveau and Finnish Women Architects: Wivi Lönn – A Case Study

Renja Suominen-Kokkonen

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Pine Trees, Pinecones and Gentians: While the Boys were Playing, Marie-Louise Goering was Silently Redesigning La Chaux-de-Fonds

Marikit Taylor

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Strand 2. The Eye of an Era: Art Nouveau Interpretations of the Feminine

Art Nouveau artists explored the representation of femininity to an extent that had not occurred before in the history of art. From the stretching of the limits of erotic aesthetics to the creation of fantastic metamorphic feminine creatures, the interpretation of the female condition was central to expressions of the diverse Art Nouveau movements across Europe.

Keynote speech by Elizabeth K. Mix

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List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

Intersections between Theatre and Haute Couture: The Status of the Actress as a Fashion Icon in the Belle Époque

Núria Aragonès

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The Transparent Woman: An Approach to the Evolution of the Female Imate in Art Nouveau Stained-glass Windows in Catalonia

Clara Beltrán Catalán / Núria Gil Farré

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A Prescriptive Toy: Interpretations of Dolls in the Late 19th Century

Pere Capellà-Simó

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Women with Flowers in the Ornamentation of Art Nouveau Leisure-time Architectures in Paris and Barcelona

Fàtima López Pérez

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Alexandre de Riquer and the Pin-up of the “Salon Pedal” Poster

Pau Medrano Bigas

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Muses, Women and Little Secrets at the Palau de la Música Catalana

Marta Saliné i Perich

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Strand 3. The New Frontiers: Unveiling Art Nouveau Cities

The growing popularity of Art Nouveau in the last decades has made it possible for both specialists and, to a certain extent, the general public, to discover previously little-known Art Nouveau heritage in cities and regions across Europe and the world. But the true extent of the Art Nouveau creative explosion of the late nineteenth and early twentieth centuries still has to be fully assessed, and new discoveries are seeing the light periodically.

Keynote speech by Teresa-M. Sala

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Closing Conference by Valérie Thomas

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List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

Art Nouveau in Rosario, Argentina: Diversity in a New City

Florencia Barcina

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Paolo Sironi and Art Nouveau in Bologna. On the Mental Shift about Bourgeois Dwellings in an Italian City

M. Beatrice Bettazzi

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Along the Borders of Art Nouveau: Czernowitz and Harbin

Paolo Cornaglia / Rosa Tamborrino

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Art Nouveau in Puebla, the Expression of a Peripheral Bourgeoisie with Cosmopolitan Aspirations

Montserrat Gali Boadella

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Art Nouveau Architecture in Tallin: International and Multinational

Karin Hallas-Murula

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From Baroque to Modernity in a Mexican City: Puebla Between 1886 and 1920

Rosalva Loreto López

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Oradea – The Ultimate Geometric Art Nouveau Outpost

Adela Ramona Novicov

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Czech Art Nouveau Architecture in the Cities of Prague, Brno and Hradec Králové

Zuzana Ragulová

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Maritime Trade, Tourism and Art Nouveau: Alicante in the Early Twentieth Century

Pablo Sánchez Izquierdo

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Unknown Art Nouveau. The Diaspora from Belgium, France and Catalonia to Kiev... and from Antwerp to Kinshasa

Jos Vandenbreeden

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Strand 4.Research and Doctoral Theses in Progress

The selection of papers within this strand favoured presentations by researchers and research groups whose on-going projects could stimulate a discussion in which both young postgraduate students who were working on their doctoral theses and more experienced researchers in the field of Art Nouveau could share their analyses and opinions.

Keynote speech by Pamela Robertson

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List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

Sarah Bernhardt and the introduction of Art Nouveau into Theatre

Barbara Bessac

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Hospital and School or Fortress and Temple – Jewish Community Buildings by Béla Lajta

Tamás Csáki

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Impressions on Fabrics. The Textile Prints of the Espanya Industrial Factory in Barcelona

M. Assumpta Dangla Ramon

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Catalan Presence in Turn-of-the-century Architecture in the Canary Islands

Alberto Darias / Jonás Armas

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Josefa Teixidor, a Painter of Flowers in Art Nouveau Barcelona

M. Isabel Gascón Uceda

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The Legacy of Buenaventura Ferrando at his Home Town. Sueca 1908-1925

Ignacio Matoses Ortells

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Caterina Albert as an Artist (1873-1902)

Irene Muñoz Pairet

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The Block of Discord: a Project for a Cross-disciplinary Research Group

Judith Urbano / Guillem Carabí / Fàtima López

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Bentwood Furniture and Art Nouveau in 1900’s Barcelona

Julio Vives Chillida

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"Patrimonialisation" of Hungarian Art Nouveau Architecture in the Carpathian Basin through the example of Budapest, Bratislava, Târgu Mureş and Subotica

Lilla Zámbó

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