This exhibition focuses on the connection between two artists who questioned the principles of sculpture throughout their careers and subverted the traditional gaze toward the human body from a renewed aesthetic.

Aubrey Beardsley (1872 - 1898)  shocked and delighted late-Victorian London with his sinuous black and white drawings. He explored the erotic and the elegant, the humorous and grotesque, winning admirers around the world with his distinctive style.
This exhibition will cover Beardsley's intense and prolific career as a draughtsman and illustrator, cut short by his untimely death from tuberculosis, aged 25. Beardsley's charismatic, enigmatic persona played a part in the phenomenon that he and his art generated.

The final exhibition before the Munch Museet moves to the new building presents, for the first time in history, works from all collections of the museum alongside each other. This is the last opportunity to visit the Mseum at its iconic building from 1963.

The show includes famous works by Munch, including The Scream, Madonna, Starry Night and The Kiss and other gems from artist like Amaldus Nielsen, Harriet Backer, Ludvig Ravensberg, Teddy Røwde, Jakob Weidemann and Johan Berner Jakobsen.

The exhibition explores Tiffany's vivid designs in relation to emerging artistic and craft movements at the turn of the 20th century. Through the dynamic, illuminated display of 20 of the designer's finest stained glass table and floor lamps. "Tiffany in Bloom" introduces visitors to the magic that Tiffany created with thousands of shards of glass and the "newfangled" power of electric light. Period photographs and accounts of his artisans also provide a glimpse into Tiffany's shop and Studio.

The exhibition, which can be visited until 28 June 2020, aims to show how women were viewed in the late 19th and early 20th centuries. The show includes a total of 47 works, among which are 42 paintings and 5 statues. All of the 29 artists on display, with the exception of Pierre-Auguste Renoir and Joaquín Torres García, are Spaniards of the stature of Joaquín Sorolla, Ramón Casas, Benjamín Palencia, Anglada Camarasa and Santiago Rusiñol.

The exhibition retraces the career and the artistic and philosophic influences of the artist Giorgio de Chirico from Munich to Turin, then to Paris where he discovered the artistic avant-garde of his era, and lastly Ferrare. The connections between the painter - discovered by Apollinaire and subsequently backed by the art dealer Paul Guillaume - and the Parisian cultural and literary circles will be highlighted as never before.

This MAK exhibition presents the figure of Otto Prutscher (1880-1949) seventy years after his death, including the manifold roles he played in developing Viennese Modernism. Prutscher was an architect and designer who employed the entire variety of applied arts materials and was also an exhibition designer, teacher and member of all the major art reform movements, from the Secession to the Wiener Werkstätte and Werkbund.

The exhibition is dedicated to the Norwegian visual artist and architect Harald Krohg Stabell (1874-1963, who lived and worked in Ålesund during the reconstruction period after the city fire in 1904.
The The shows presents architectural drawings, watercolors and woodcuts with motifs from Ålesund and its surroundings.

On the occasion of the 70th anniversary of Otto Prutscher's death, the exhibition highlights the importance of his work for the development of Viennese Modernism. The show is dedicated to Josef Hoffmann's (1870-1956) in association with Otto Prutscher (1880-1949). Like Hoffmann an architect and designer, Prutscher was master of all materials used in the applied arts. He was an exhibition designer, a teacher, and a member of the most important reform movements in art from the Secession to the Wiener Werkstätte and the Werkbund.

This exhibition presents a wide and varied selection of paintings by Anglada-Camarasa in order to present his oeuvre from a personal, romantic perspective that recalls the layout of the Museum in Pollença. It provides a unique opportunity to learn more about the work of Anglada-Camarasa through a different exhibition approach from how the work has been shown in CaixaForum until now.

The exhibition creates an opulent tableau that offers uniquely rich and complex insights into the fascination of Vienna circa 1900 and the atmosphere of this vibrant period. Comprising some 1,300 items displayed across three floors, this semi-permanent installation presents the splendour and wealth of the artistic and intellectual achievements of this era through masterpieces from the Leopold Museum and notable permanent loan works from Austrian and international collections.