The exhibition entitled "Kraków 1900" presents the story of the city at the turn of the 20th century, a period known as Kraków's Belle Époque.

The National Art Museum of Catalonia (MNAC) , in collaboration with the Nagasaki Prefectural Art Museum and "Kobe Shimbun" newspaper, is staging an exhibition entitled "Barcelona. City of Artistic Miracles. The Essence of Modern Catalan Art from Modernisme to the Avant-garde", which will be seen in five museums and galleries in Japan and includes some 150 works from major Spanish museums and collections, 60 of which belong to the MNAC collection.

The exhibition sets out to explain the major changes in the city beginning in the second half of the 19th century and continuing into the next century as shown through the works of artists such as Ramon Casas, Santiago Rusiñol, Isidre Nonell, Joaquim Mir, Ricard Canals, Antoni Gaudí, Puig i Cadafalch, Josep Maria Jujol, Gaspar Homar, Juli González, Joaquim Torres García, Joaquim Sunyer, Josep Clarà, Xavier Nogués, Manolo Hugué and Pablo Gargallo, among others.

The show will also run at the Himeji City Museum of Art from 29 June to 1 September 2019 before it travels to Sapporo and Shizuoka to finish its tour in Tokyo in April 2020.

Click here for more information about the exhibition and tour dates.

The exhibition "Chapeau! From Casas and Picasso to Balenciaga and Pertegaz" is dedicated to hats and all that they represented at a given moment. But it is primarily an aesthetic look at one of the most fascinating items of clothing in the first half of the 20th century, although its existence dates back many centuries earlier. In theory, this would be the first exhibition of a historical, retrospective and monographic nature on the subject of hats ever organised in Catalonia and also the rest of Spain.

To view the parallel activities around the exhibition:
https://www.fundaciopalau.cat/event/els-diumenges-de-la-fundacio-palau-vine-a-fer-el-teu-barret/

The exhibition presents 47 works by leading artists of the 19th and 20th centuries, such as Fortuny, Rodin, Klee, Matisse, Picabia, Picasso, Dalí and Miró.

To celebrate the triple anniversary of the house of architect Victor Horta -100 years of the sale of the building, 50 years of the inauguration of the Museum and 30 years of restoration- the Horta Museum is staging three new exhibitions that focus on the still unknown facet of Victor Horta as a collector. The three exhibitions, entitled "The History of the Museum", "The Horta House" and "The Workshop and Its Enlargement", are running concurrently in the Museum's three buildings.

The National Gallery presents the first UK exhibition of Spain's Impressionist, Sorolla, in over a century.
Known as the "master of light" for his iridescent canvases, this is a rare opportunity to see the most complete exhibition of Joaquín Sorolla y Bastida's (1863-1923) paintings outside Spain.

The Leopold Museum is dedicating one of the most comprehensive retrospectives to date to Oskar Kokoschka (1886-1980), once dubbed the "chief wildling" among artists. Comprising some 260 items, including key works from international collections alongside others that have rarely or never been displayed before, the exhibition focuses on Kokoschka's multi-faceted work from all periods of his oeuvre that he produced at various places of activity, including Vienna, Dresden, Prague, London and, lastly, Villeneuve.

The wide variety of works on display will help visitors to undertake a journey through the various European styles during the late 19th and early 20th centuries: Modernisme, Art Nouveau, Liberty, Secession and Jugendstil, while at the same time learning about the different sensibilities with which artists tackled the subject of femininity.

This major exhibition brings together 45 works by Vincent van Gogh to reveal how he was inspired by Britain and how he inspired British artists.

On show for the first time, this exhibition shines a spotlight on the work of 18 women designers and a product photographer who worked for the Deutsche Werkstätten in the early 20th century. These artists have been forgotten over time despite their busy design and teaching activities, multitude of exhibitions and successfully winning competitions. Women who worked as furniture designers even though they were only often trained as drawing teachers, and generally without a university entrance qualification at the time. Women who disrupted traditional social roles and gained new autonomy and self-determination in their everyday professional and social lives  by pursuing a field that had been previously reserved for men. These women not only made a vital contribution to the success of fledgling workshops, they also decisively advanced the reform movement in Germany.

The touring exhibition "Blue, the Colour of Art Nouveau" aims to explore the spirit of a period in which blue was a predominant thread. In the late nineteenth century, relating landscapes and the phenomena of nature to moods, so as to transmit the soul's hues and tonalities, ended up constituting a poetological aesthetic that became inscribed within the great movement of modernity, moving through Symbolism and witnessing the birth of the cinematograph.

The exhibition now on show in Liverpool is the touring exhibition organised in 2018 to celebrate Glasgow's 150th anniversary of the birth of one of its greatest sons, the architect, designer and artist Charles Rennie Mackintosh. The centrepiece of the City's celebrations was the critically and publicly acclaimed Glasgow Museums' temporary exhibition, "Charles Rennie Mackintosh - Making the Glasgow Style" at the Kelvingrove Art Gallery and Museum. If you missed it in Glasgow, fear not, there are opportunities to see it on tour: firstly in Liverpool, and then across the United States of America in the following years.

For more information about the American tour:www.amfedarts.org

The exhibition highlights the influence of Antoni Gaudí on Miró's production through a group of prints titled Gaudí Series, comprising twenty-one pieces in a variety of sizes and featuring fantastic characters with which the artist paid tribute to the architect in the mid-1960s. Miró was particularly drawn to the rhythm and structure of Gaudí's work; he shared his urge to question the use of existing procedures and materials as well as a deep bond with nature, the generating force behind his creations. The treatment of colour and the use of curved lines in these prints are reminiscent of the trencadís broken-tile mosaic technique, a hallmark of Gaudí's work.

The exhibition aims to recover the work of a Catalan painter who in his lifetime was very successful, but who with the inexorable passage of time has been forgotten by the different generations of historiographers.
The installation focuses on the work of the sculptor and painter Antoni Fabrés i Costa (1854 - 1938), who at the age of 25, while a student at the Llotja School in Barcelona, was awarded a grant to go to Rome, the city that was then the natural destination for outstanding artists. After he arrived there, in 1875, a year after the death of Marià Fortuny, Fabrés devoted himself to drawing, painting and watercolour, three techniques that he mastered like none other in his day.

The exhibition traces the life and work of the Swiss painter, Félix Vallatton (1865-1925), who became one of the greatest printmakers of his age in the UK's first major survey.
Through more than 80 paintings and exquisite prints, this exhibition reveals Vallotton's extraordinary body of work, including compelling portraits, dreamlike landscapes and satirical prints distilled into pure blocks of black and white.

To commemorate the centenary of the founding of the Bauhaus, the Institut Mathildenhöhe is presenting the exhibition that will shed light on the importance of the Bauhaus and post-World War II architecture. The exhibition in 1901 by the Darmstadt Artists' Colony was the very first permanent exhibition of modern architecture in the world and it has influenced many exhibitions and urban planning projects ever since. It was mainly the colony members Joseph Maria Olbrich and Peter Behrens who presented new ideas in Darmstadt through their future-oriented architecture and holistic design and these were further developed by the Werkbund, which both of them co-founded, and ultimately by the Bauhaus. It is no coincidence that Bauhaus directors Walter Gropius and Ludwig Mies van der Rohe both worked in the studio of Peter Behrens very early in their careers and witnessed how the architect fused handicraft, creative design and large-scale manufacturing. After 1945, the heritage of the Darmstadt Artist's Colony inspired the war-torn city to rebuild itself as a centre of modern architecture and design and these endeavours led to the construction of several "Meisterbauten" (Masterful Architectonic Creations) designed by such renowned architects as Max Taut, Otto Bartning and Ernst Neufert.

Projected on all the surface of the Atelier des Lumières, the new digital exhibition immerses visitors in the paintings of Vincent van Gogh. This new visual and musical production retraces the intense life of the artist, who, during the last ten years of his life, painted more than 2,000 pictures, which are now in collections around the world.

By showcasing posters and paintings, sculptures, furniture and ceramics, the exhibition underscores the extraordinary artistic and artisanal blossoming that swept over and ultimately overhauled decorative taste at the beginning of the twentieth century.

This exhibition presents a wide and varied selection of paintings by Anglada-Camarasa in order to present his oeuvre from a personal, romantic perspective that recalls the layout of the Museum in Pollença. It provides a unique opportunity to learn more about the work of Anglada-Camarasa through a different exhibition approach from how the work has been shown in CaixaForum until now.

The exhibition creates an opulent tableau that offers uniquely rich and complex insights into the fascination of Vienna circa 1900 and the atmosphere of this vibrant period. Comprising some 1,300 items displayed across three floors, this semi-permanent installation presents the splendour and wealth of the artistic and intellectual achievements of this era through masterpieces from the Leopold Museum and notable permanent loan works from Austrian and international collections.